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THE DOORS

Proto-Prog • United States


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The Doors picture
The Doors biography
Founded in Los Angeles, USA in 1965 - Disbanded in 1973 - Reformed in 2002 as Doors Of The 21st Century (later renamed)

THE DOORS is one of the most legendary Los Angeles-area bands. They were part of the adventurous and prolific USA West Coast music scene that emerged in the exciting second half of the Sixties. Their story starts when Jim Morrison meets Ray Manzarek on the beach of Venice in July 1965. They already know each other from the University of California at Los Angeles film academie (UCLA).

Jim (born December 8th, 1943); his father was a high-ranking naval officer, born in a family with a long history of career militarists. Jim turned into a bright and good looking young man but he suffered from a dysfunctional background: a 'militiary household', numerous removals of the Morrison family and a non-affective and very demanding attitude of his parents. This resulted in an emphasis on showing negative behaviour from an early age: rebellious, unpredictable and agressive, often making sick jokes and acting sociopathic towards his best friends to avoid deeper relationships ('fear of bonding'). But on the other hand he impressed his friends and teachers with his great knowledge about philosophy, history and psychology and his humour and creative ideas. In order to escape the pressure of his parents, Jim leaves the university and moves to LA where he joins the UCLA in 1964.

Raymond Daniel Manzarek (February 12th, 1939 - May 20th, 2013) grew up in a working class family but he got the opportunity to study first piano and then economics. Unfortunately Ray doesn't finish that study and starts to work as junior-manager at a bank. This is only for three months because Ray decides to join the UCLA where he got in touch with fellow student Jim Morrison. During their meeting on that beach in Venice, Jim tells Ray that he writes lyrics. Jim is asked to sing a few lines, he quickly succeeds to make impression on Ray with a song that later turned out to be "Moonlight Drive". Then Ray invites Jim to join his band, the trio RICK AND THE RAVENS featuring his two brothers Rick and Jim. After some line-up changes the band members are Ray, Jim, drummer John Densmore and guitarist Robby Krieger.

John Paul Densmore (born December 1st, 1944) is a fanatic swimmer in his childhood but from his 10th he starts to learn piano and on his 12th he switches to drumming (timpanist). During this study his love for jazz music begins to develop.

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Buy THE DOORS Music


The Very Best Of The Doors (2CD)The Very Best Of The Doors (2CD)
Elektra / Rhino Records 2007
$12.99
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The Doors - A CollectionThe Doors - A Collection
Box set
WARNER BROS UK 2011
$21.68
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Best of the DoorsBest of the Doors
Remastered
Wea Int'L 2000
$6.13
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Waiting for the Sun (40th Anniversary Mix)Waiting for the Sun (40th Anniversary Mix)
Elektra / Rhino 2007
$5.48
$3.82 (used)
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THE DOORS discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

THE DOORS top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.32 | 655 ratings
The Doors
1967
4.25 | 495 ratings
Strange Days
1967
3.59 | 319 ratings
Waiting For The Sun
1968
2.83 | 271 ratings
The Soft Parade
1969
3.29 | 300 ratings
Morrison Hotel
1970
4.03 | 460 ratings
L.A. Woman
1971
2.79 | 98 ratings
Other Voices
1971
2.39 | 85 ratings
Full Circle
1972
3.16 | 122 ratings
An American Prayer
1978

THE DOORS Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.72 | 74 ratings
Absolutely Live
1970
3.31 | 43 ratings
Alive, She Cried
1983
3.80 | 59 ratings
In Concert
1991
3.31 | 13 ratings
Bright Midnight: Live In America
2001
3.67 | 3 ratings
Live in Hollywood: Highlights from the Aquarius Theatre Performances
2001
4.10 | 10 ratings
Live At The Aquarius Theatre: The First Performance
2001
4.11 | 9 ratings
Live At The Aquarius Theatre: The Second Performance
2001
4.00 | 5 ratings
Live in Hollywood: Highlights from Aquarius Theatre Performances
2002
3.00 | 3 ratings
Backstage and Dangerous: The Private Rehearsal
2002
5.00 | 1 ratings
Boot Yer Butt! - The Doors Bootlegs
2003
3.83 | 6 ratings
Live In Detroit
2004
3.00 | 3 ratings
Live in Philadelphia '70
2005
4.05 | 12 ratings
Live In Boston 1970
2007
2.67 | 9 ratings
Live at the Matrix '67
2008
4.50 | 8 ratings
Live in Pittsburgh 1970
2008
4.00 | 7 ratings
Live in New York
2009
4.33 | 9 ratings
Live In Vancouver 1970
2011
3.82 | 11 ratings
Live At The Bowl '68
2012
2.50 | 2 ratings
London Fog 1966
2016
0.00 | 0 ratings
Live at the Matrix
2017
0.00 | 0 ratings
Live At The Matrix Part 2: Let's Feed Ice Cream To The Rats, San Francisco, CA - March 7 & 10, 1967
2018

THE DOORS Videos (DVD, Blu-ray, VHS etc)

3.71 | 7 ratings
Dance On Fire
1985
4.59 | 13 ratings
Live At The Hollywood Bowl
1987
3.00 | 2 ratings
The Doors
1987
3.75 | 13 ratings
Live In Europe 1968
1988
2.55 | 6 ratings
No One Here Gets Out Alive - The Doors' Tribute to Jim Morrison
1990
3.04 | 4 ratings
The Doors Are Open
1991
3.60 | 5 ratings
The Soft Parade A Retrospective
1991
3.00 | 2 ratings
The Best of The Doors
1997
4.20 | 5 ratings
The Doors Collection: Collector's Edition
1999
3.91 | 4 ratings
The Doors 30 Years Commemorative Edition
1999
3.00 | 2 ratings
The Last American Interview
2000
2.67 | 3 ratings
VH-1 Storytellers: A Celebration
2001
3.08 | 11 ratings
Soundstage Performances
2002
3.80 | 5 ratings
The Doors of the 21st Century - L.A. Woman Live
2004
3.00 | 2 ratings
Videobiography
2007
3.67 | 3 ratings
Classic Albums: The Doors - The Doors
2008
2.33 | 3 ratings
Collector's Edition
2008
2.42 | 14 ratings
When You're Strange
2010
3.80 | 5 ratings
Mr. Mojo Risin': The Story of L.A. Woman
2012
4.33 | 10 ratings
Live At The Bowl '68
2012
1.00 | 1 ratings
R-Evolution
2013
1.00 | 1 ratings
Feast Of Friends
2014
3.05 | 2 ratings
Live at the Isle Wight Festival 1970
2018

THE DOORS Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.68 | 19 ratings
13
1970
3.80 | 17 ratings
Weird Scenes Inside the Gold Mine
1972
2.72 | 10 ratings
The Best of the Doors
1973
2.10 | 4 ratings
Star Collection (Vol. 1)
1973
4.23 | 50 ratings
The Best Of The Doors
1985
3.41 | 10 ratings
The Doors OST
1991
3.21 | 10 ratings
The Doors Box Set
1997
4.40 | 5 ratings
Essential Rarities (The Best of the '97 Box Set)
1999
3.00 | 2 ratings
Love Me Two Times
2002
4.02 | 5 ratings
Legacy: The Absolute Best
2003
3.55 | 11 ratings
Perception
2006
3.46 | 15 ratings
The Very Best Of
2007
4.00 | 3 ratings
When You're Strange (OST)
2010
4.33 | 4 ratings
A Collection (6CD)
2011
3.50 | 3 ratings
L.A. Woman: The Workshop Sessions
2012
1.00 | 1 ratings
Curated By Record Store Day
2013
3.86 | 2 ratings
Other Voices / Full Circle
2015
0.00 | 0 ratings
The Singles
2017

THE DOORS Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

2.26 | 4 ratings
The Doors (1965 demo)
1965
4.29 | 7 ratings
Break On Through
1967
4.85 | 8 ratings
Light My Fire
1967
3.75 | 4 ratings
Alabama Song (Whiskey Bar)
1967
4.20 | 5 ratings
People Are Strange
1967
4.20 | 5 ratings
Love Me Two Times
1967
4.00 | 6 ratings
The Unknown Soldier
1968
4.33 | 6 ratings
Light My Fire 5'' vinyl
1968
4.00 | 6 ratings
Hello I Love You Won't You Tell Me Your Name
1968
3.27 | 7 ratings
Touch Me
1968
4.00 | 4 ratings
Tell All the People
1969
3.17 | 5 ratings
Wishful Sinful
1969
4.00 | 4 ratings
Runnin' Blue
1969
4.00 | 4 ratings
Road House Blues
1970
4.00 | 4 ratings
You Make Me Real
1970
3.33 | 8 ratings
Love Her Madly
1971
2.71 | 9 ratings
Riders on the Storm
1971
3.05 | 3 ratings
Tightrope Ride
1971
4.25 | 4 ratings
Hello I Love You
1971
3.50 | 2 ratings
The Mosquito promo
1972
2.14 | 3 ratings
Get Up and Dance
1972
3.05 | 3 ratings
The Mosquito
1972
3.05 | 3 ratings
The Piano Bird
1972
3.25 | 4 ratings
Hello I Love You 2 x 7'' single
1979
3.25 | 4 ratings
People Are Strange
1981
4.00 | 3 ratings
Gloria
1983
2.31 | 9 ratings
Live at the Hollywood Bowl
1987
3.83 | 6 ratings
Break On Through
1991
4.25 | 4 ratings
Riders On The Storm
1991
4.00 | 6 ratings
Light My Fire
1991
3.33 | 3 ratings
The Ghost Song
1995

THE DOORS Reviews


Showing last 10 reviews only
 The Doors by DOORS, THE album cover Studio Album, 1967
4.32 | 655 ratings

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The Doors
The Doors Proto-Prog

Review by VianaProghead
Prog Reviewer

5 stars Review Nš 237

"The Doors" is the eponymous debut studio album of The Doors and was released in 1967. It was central to the progression of psychedelic rock, and has been critically acclaimed. This is in general considered their best musical effort and it appears in many music lists as one of best albums of all time. It's present on the "List Of 200 Albums In Rock And Roll Hall Fame" and it was ranked number 42 in "Rolling Stone Magazine's 500 Greatest Albums Of All Time".

"The Doors" has eleven tracks. The first track "Break On Through (To The Other Side)" was the first single released by the band and it was an unsuccessful song. However, it remains as one of the band's signatures and one of their most popular songs. The second track "Soul Kitchen" is a tribute to the soul food restaurant "Olivia's" in Venice Beach, Los Angeles, California, where Jim Morrison often stayed for a long time. It was also the place where he and Ray Manzarek met for the first time and represents the place where all began. It's a nice rock song played with energy. The third track "The Crystal Ship" was the song chosen to be the B side of their hit single of this album "Light My Fire". This is a wonderful love song inspired by Jim Morrison's first love, Mary Werbelow, a girlfriend with whom he was ended. Like many of the songs written by Jim Morrison, it has a mysterious and dark sound. The fourth track "Twentieth Century Fox" was a song written about a fashionable but unfeeling woman, and is a metaphor for the famous movie and TV Company. It represents one of the light and soft ballads on the album, a song with a bit of humour on it. The fifth track "Alabama Song (Whisky Bar)" is a song found for the first time in the play "Hauspostille", in 1927, by Bertolt Brecht, with music by Kurt Weill, and it was used again, in 1930, in the opera "Rise And Fall Of The City Of Mahagonny". In 1966, Ray Manzarek's wife had heard a recording of Bertolt Brecht's opera, and she quickly showed the song to Ray and Jim and immediately suggested that they should make a rock version of it. This is a great version, indeed. The sixth track "Light My Fire" was released as a single and became the first great success of the band. It has brought the world fame and recognition of the band in the summer of 1967, bringing The Doors to the top of the charts and a symbol of that generation of the late 60's. This is one of the songs that most contributed to immortalize the name of The Doors. "Light My Fire" is on Rolling Stone's list of the "500 Greatest Songs Of All Time" and it was also included in the "Songs Of The Century" in VH1's "100 Greatest Songs Of All Time". The seventh track "Back Door Man" is the second and last song on the album without the signature of the band. Originally, "Back Door Man" was a blues song written by Willie Dixon and was recorded by Howlin' Wolf, in 1961, and it became considered a classic of the Chicago blues. This version of The Doors is the bluesiest number on the album and represents a great cover of the original song. The eighth track "I Looked At You" is another rock ballad and represents also another light and soft song on the album. The musical structure of the song is very simple but the final result is a very nice and pleasant song to hear. The ninth track "End Of The Night" is another ballad. It's true that we are in presence of another ballad, but this time, we are in presence of a totally different type of ballad. This is a very interesting song, very obscure and with a very dark musical atmosphere that makes of it a hypnotic song. The tenth track "Take As It Comes" is an incredible and beautiful pop rock song, very well made, highly attractive and which still sounds fresh and young in our days. We can even say that this song is so well written that sounds much better than many of the songs on the pop scene today. The eleventh track "The End" was originally written as a song about breaking with his girlfriend Mary Werbelow. It was created over several months of performances at the Whisky a Go Go, in Los Angeles. It was first released in January, 1967 and the band would play this song on their last live performance. "The End" is in the list of "500 Greatest Songs Of All Time", in Rolling Stone Magazine and became to be immortalized by Francis Ford Coppola in his movie "Apocalypse Now", released in 1979, when the song was used in two sequences of the film, the opening sequence and during the sequence of the killing of Colonel Kurtz. "The End" is also considered by many the best and also the most progressive song made by the band.

Conclusion: As I wrote before, "The Doors" is in general considered the best album released by the band and I agree completely with that. It's also considered one of the best albums ever made and, personally, I love it, really. This is a perfect album with no weaknesses. Some of the songs included on this album, like "Light My Fire", "Alabama Song (Whisky Bar)", "Break On Through (To The Other Side)" and "The End" are successes that have been immortalized by the band and that helped to immortalize the band too. Concluding, and merely seeing by a single point of view strictly progressive, when we heard "Light My Fire" and "The End" we immediately see why The Doors are considered one of the most important bands to the foundation of progressive rock music and why they belong to our progressive world.

Prog is my Ferrari. Jem Godfrey (Frost*)

 Waiting For The Sun by DOORS, THE album cover Studio Album, 1968
3.59 | 319 ratings

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Waiting For The Sun
The Doors Proto-Prog

Review by Matti
Prog Reviewer

4 stars On their third album The Doors took a lighter -- and in places even funny -- direction compared to the rather psychedelic debut or its follower Strange Days. Waiting for the Sun is pretty enjoyable set of averagely short songs (the total length is 33 minutes). I must point out immediately that I can't stand the ultimate ear-worm opening track 'Hello, I Love You', which is among the most irritating pop hits ever. Fortunately it's the only BAD song here; the rest (10 tracks) are either excellent or at least fairly nice, if a bit harmless.

On light-hearted 'Love Street' Morrison sings in a Sinatra-like laid-back style, and 'Wintertime Love' is a brief, joyous song with an old-fashioned dance rhythm. These are perhaps somewhat throwaway songs on a rock album, but good examples of the band's sovereign ability to toy with various musical styles and make it sound like The Doors and nothing else. On some later albums especially the vocals of Jim Morrison lost some of that flexibility. 'Not to Touch the Earth' is the album's longest song at 4 minutes, but it's so fascinatingly bizarre that perhaps it could have worked as an extended complex piece. 'Summer's Almost Gone' and 'Yes, the River Knows' are slightly sentimental ballads but their hazy mood is beautiful.

'The Unknown Soldier' is a powerful anti-war rock song. The ripped-down arrangement of 'My Wild Love' reaches for shamanistic levels (Finnish rock band Sielun Veljet had a similar approach on 'Kanoottilaulu' in the 80's). Between these tracks is one of the finest rock songs of the era, 'Spanish Caravan' that features flamenco nuances. This is where the guitarist Robby Krieger really shines. The music is based on -- and openly cites, for example in the electric guitar solo -- a Spanish art music piece, I think it was by Isaac Albeniz.

Waiting for the Sun is perhaps my second favourite from The Doors; the debut in its innovative stylistic variety and powerful atmospheres is clearly their best album. Also this one's very many-sided in the end, and yet it somehow feels very coherent as a whole. The production is very good. If you don't appreciate the lighter and less rocking side of The Doors, this probably feels very uneven to you. A classic rock album with a unique identity, thus deserving four stars even if it's not progressive rock.

 Strange Days by DOORS, THE album cover Studio Album, 1967
4.25 | 495 ratings

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Strange Days
The Doors Proto-Prog

Review by mariorockprog

4 stars the second album by Doors, being a commercially a successful as his predecessor, they continued with their psychedelic and acid rock style focused in the keyboards/organs in a part, but now the lyric taking more antagonism. The creation of the album was influenced a little by the sound of Sgt Pepper of the Beatles, they got a early copy and they got really impressed, at that time they had more room to experiment with the sound and the music. Lyrically, I think is where this album improved a lot, Morrison continues to use metaphors and his style to express his feeling about more relevant topics. Musically, it maintains the style of the previous album, however is not as good as it, it focused more in the lyrics of Morrison, you will not find any spectacular or elaborated in the music, only good songs and good lyrics, only the song when the music is over shows signs of progressive, it is the best song of the album. Finally, a very good addition to any prog collection, it has really good moments, especially with when the music is over, but musically diminished its quality in comparison with its predecessor.
 The Doors by DOORS, THE album cover Studio Album, 1967
4.32 | 655 ratings

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The Doors
The Doors Proto-Prog

Review by mariorockprog

5 stars 4.5: the first album by the doors, released in 1967 was one of the first psychedelic album to appear in the scene and the most acclaimed. The lyrics talks mainly about the use of drugs, acid trips, girls and romantic situations. The name of Doors came from a suggestion of Morrison about a book called Doors of Perception . Lyrically, it is the incomparable way of composing music by Morrison using metaphors, but what i found is that in this one they don't have a deep meaning or something to learn, it is only about drugs and girls, however vocally he accompanied very well the music. Musically, is where the album really shine, mainly the keyboard riff are the dominant and show the psychedelic music of the band, most of the song are classics of rock and very good arranged, also the guitar make a very good job. An excellent addition for any prog collector, and although not all songs are equally as goods, the final product is in general excellent.
 Live at the Isle Wight Festival 1970 by DOORS, THE album cover DVD/Video, 2018
3.05 | 2 ratings

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Live at the Isle Wight Festival 1970
The Doors Proto-Prog

Review by rdtprog
Special Collaborator RPI / Symphonic Prog Team

3 stars Here's the last video concert filmed of the band recorded in the context of Jim Morrison's ongoing Miami obscenity trial where the charges were finally dropped many years after Jim's death. This could explain the unusual reserve behavior of Jim during this concert in front of 600,000 fans at 2 am. Maybe Jim decided to perform as professional as he could be, he barely moves during the whole set, but it delivers a strong vocal performance. I suspect that he was not on the effect of some substance. This new footage is a restoration sound and picture of the old footage. Unfortunately, the light show with a constant red light is not the best to upgrade the experience visually. The sound is quite good and I was especially pleased to hear how good Krieger's guitar sound throughout the short 66 minutes set. For the music, it's the Doors usual repertoire of short songs and longer songs showing the band jamming. I never enjoy the song "The End", seems to be an anti-climax for the last song of the show. It's too slow and too long, but I am sure that song was the best way for Jim to communicate his poetry. The 17 minutes documentary is worth watching one time too see new interviews with John, Robby and old interview of Ray talking about the Jim performance. This package of Blu-Ray/CD doesn't contain a lot of material for your money, but it is worth the price for his historical value.
 Other Voices by DOORS, THE album cover Studio Album, 1971
2.79 | 98 ratings

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Other Voices
The Doors Proto-Prog

Review by Progfan97402
Prog Reviewer

3 stars This has been the era of the Doors I've been hesitant to buy. I constantly see these two LPs used, so I picked up Other Voices. There are many reasons I've been hesitant, like how few bought these albums when they came out because they felt the Doors were through without Jim Morrison. I met quite a few people who didn't even realize the Doors didn't quite throw in the towel after Jim Morrison's passing! To be fair, they're younger listeners (my age or younger, that is Gen X and Millennials, I belong to the former) so they didn't have the benefit of being there when it happened. Other Voices is the first of two post-Morrison efforts. This album was actually recorded with the hope Jim would return from Paris back to LA to have him lay down the vocal tracks, but as of July of that year (1971) that was very much out of the question. So that left Ray Manzarek and Robbie Krieger to do the vocal duties. Hence the Other Voices title. It's not the first time they sang. Manzarek was apparently forced to sing occasionally live when Jim was just too far gone to perform or didn't even show. Krieger shared a lead vocal on "Runnin' Blue" off the Soft Parade (that funny little Dylan vocal during the country/bluegrass break), to be fair, that was Robbie's song to begin with.

Is Other Voices really that bad? Well I'd be lying if I state this stuff stacks up very well to anything they did with Jim Morrison. Of course that's not true. No rock critic thought so, and none of the few buyers who actually bought it thought so. But there really is nothing on here I found offensive or truly cringeworthy. The music doesn't have that gloomy atmosphere of Morrison-era albums, sometimes it's pretty upbeat. This is what you get when Krieger and Manzarek do the songwriting. The first two songs, "In the Eye of the Sun" and "Variety is the Space of Life" are as I describe, not exactly bad, not great. "Ships w/Sails" can show that the remaining Doors can record a great song if they wanted to. Manzarek does his best Morrison, but you can tell he's no Jim. Imagine what would happen had Jim sung this! I really love this song, it's a big standout. "Tightrope Ride" was released as a single, wasn't exactly a chart stormer, and you can see why. Like most of the album, not bad, not great, but perfectly listenable. "Down on the Farm" has a more folk feel, sounding like Peter, Paul & Mary gone electric with all male vocals. "I'm Horny, I'm Stoned" is Krieger's song, and I really have a blast listening to this! Sounds so not like the Doors, here it's just a plain silly song, they weren't taking themselves seriously. Perhaps because they realized that the Doors with Jim Morrison took themselves way too seriously, and they knew it. Although I have to admit "Runnin' Blue" from The Soft Parade is the only Morrison-era song that didn't take itself seriously (with that Dylan-like vocal part from Robbie Krieger), but then that song is credited to the same person as "I'm Horny, I'm Stoned". "Wandering Musician" is another one that isn't bad or great, but I really love the last piece, "Hang on to Your Life". It's a nice jazzy Latin-influenced song with some great passages that are almost proggy, especially with all those electric pianos. This song even gets help from Afro-Cuban percussionist Francesco Aguabella.

Listening to this album it's very hard to believe this was released only six months after L.A. Woman. Nothing on Other Voices reaches such mindblowing heights as "Riders on the Storm", but on the other hand that's not what I expect when it's all the work of Manzarek, Krieger, and Densmore (and some extra help when needed). To me there's three songs that stand out, one of them for being funny (I'm referring to "I'm Horny, I'm Stoned", which I'm sure won't be to everyone's liking). While this album isn't likely to visit their turntable (or CD player) as frequently as the Jim-era albums, I am happy to state that I was pleasantly surprised. I didn't have high expectations and come out finding it not bad, but hardly a classic. I can give this a three star rating because nothing here is cringeworthy to my ears (although I'm sure "I'm Horny, I'm Stoned" may be to some).

 The Soft Parade by DOORS, THE album cover Studio Album, 1969
2.83 | 271 ratings

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The Soft Parade
The Doors Proto-Prog

Review by Progfan97402
Prog Reviewer

3 stars The Soft Parade is by far the least liked of the Morrison-era albums. It's because they took on a more blatantly commercial pop-oriented direction, and a grander production by including horns and strings. Is the album really that bad? This time around the album does state who actually wrote each song, where on previous albums it stated it was written and arranged by all four members, unless the song was a cover (like "Back Door Man"). Let's look at the opening cut, "Tell All the People". My jaw was in total disbelief on the song and the nature of it. What is this? Vegas lounge pop music? Were The Doors trying to be in the same league with Frank Sinatra? Jim Morrison croons this song like a Vegas singer, complete with cheesy horns straight out of Vegas. Looking at the songwriting credits, you notice it was Robbie Krieger. You know Jim Morrison would never write lyrics that seem straight out of Vegas. Next song, "Touch Me" was already released as a single at the end of 1968, and easily the most recognized song on the album. Again a bit on the Vegas side, but I'm used to this song having heard it on the radio plenty of times throughout my lifetime. Horns, strings, cheesy sax solo, at least Ray Manzerek gives his trademark organ playing to let everyone know this is the Doors. I bet you at the end of 1968 many Doors fans must have been horrified hearing "Touch Me", wondering if their next album will be like that. Once again Krieger was responsible for this. Luckily, for the rest of the album the rest of the songs Krieger are credited to aren't as so lounge-y, and the Morrison penned ones are more close to traditional Doors songs. Things really improve greatly with "Shaman's Blues", a great song with some nice harpsichord playing, more in tune with the older Doors sound, and it's a Morrison penned song. "Do It" is credited to both Morrison and Krieger, not nearly as good, due to the embarrassing lyrics, but not bad. "Easy Ride" and "Wild Child" are bit more bluesy, while "Wishful Sinful" has a bit of that lounge again, but not full-on "Tell All the People" territory. The title track is without a doubt the album's highlight. If there's a reason for the Doors being included here, this is the reason. It's more like a multimovement suite than a standard song, as it goes through several changes. Note how a bunch of Jewish guys from Brooklyn naming themselves Sweet Smoke and relocating to Germany had did a partial cover of this song off their 1970 debut album Just a Poke. This song is still not full-on prog, but proto-prog it is. Well, I have to say, this album isn't as bad as its frequently made out to be, to me "Tell All the People" is easily the worst thing on the album (my jaw dropped in that similar fashion I did seeing obviously rubber frog costumes seeing the 1987 movie Hell Comes to Frogtown starring "Rowdy" Roddy Piper, if MST3K could spoof music, "Tell All the People" would be a great one to spoof, if that was possible). The album does have its flaws, but still has enough worthy material to make it worthwhile, if you get beyond "Tell All the People" and perhaps "Touch Me".
 L.A. Woman by DOORS, THE album cover Studio Album, 1971
4.03 | 460 ratings

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L.A. Woman
The Doors Proto-Prog

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

4 stars Wondering if Jim would have looked beyond upon recording this "last" album, and what he would have looked over the rainbow woman. Somebody says this album "L. A. Woman" should reveal Jim's thought upon life and death, or Jim's bloody shout could be heard in this stuff, but no I don't consider so ... his voices are really enthusiastic and simultaneously introspective, but sound as if he would have sung "with looking forward". Along with bluesy cool rock sounds produced by other three, powerful but sensitive voice waves come one after another, and this musical style can be thought as their origin or basis I imagine.

Their intention can be grabbed upon the whole A Side. Obvious deeply eccentric melodic collective is launched even in a typical blues rock. Rhythmic texture is not complicated nor bizarre at all and melody lines are so strict and sincere for blues rock authenticity indeed, but their excessive creativity cannot be called as "pop". We can dissected phrases even in the titled track which has climbed Billboard Hot 100 Chart up. Stream basis of their soundscape could be heard in a textbook of blues rock I guess, but mysterious melodious madness blended with Jim's sensuality could never be published lol.

Plenty of cynical phrases (both melodic and lyric) drive us crazy upon the B Side. Jim and Three Doorers might run through the five tracks at top speed ... but I cannot hear any goal line nor the end of (musical) life. "Riders On The Storm", that has cool, dry atmosphere of a tough guy's life, is apparently not "The End" but "Hard Cornerstone Of Life For Brilliant Future" I can realize. There is no despair, hopeless, nor tragedy. Jim's voice tone is a tad depressive (and so are instrumental parts) and I cannot deny their heavenly novel era imagined in their inner mind. This album is filled with hopeful hope, dreamy dream ... at least for me.

 Morrison Hotel by DOORS, THE album cover Studio Album, 1970
3.29 | 300 ratings

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Morrison Hotel
The Doors Proto-Prog

Review by Progfan97402
Prog Reviewer

4 stars To fans and rock critics alike, Morrison Hotel was considered a gigantic relief from The Soft Parade. No more horns, strings, or pop-oriented material on the lines of "Touch Me" and "Tell all the People". They returned to a more-blues based sound, but to be honest, I actually enjoyed Waiting for the Sun more than I did Morrison Hotel. Morrison Hotel is just a plain "overrated but still not bad" album, the kind I level at Pink Floyd's Dark Side of the Moon or the Who's Who's Next. Let's examine some of the songs: "Roadhouse Blues" is by far the most recognized song on this album, it seemed a bit too generic blues for my liking, but it's still a staple of classic FM rock stations. "Waiting for the Sun" is great, it's the Doors sound of old! Love that eerie organ and synth (I'm sure Paul Beaver was responsible for the Moog you hear here). It was mysteriously left off on the album by that same name, which I wished wasn't (if only "Yes, the River Knows" or "Wintertime Love" was replaced by that song, Waiting For the Sun, the album, that is, would be even better, but it's only those two songs I don't care for on that album). "Peach Frog" has a rather nice funky sound, and Ray Manzarek's organ certainly gives this great song character. The song segues into "Blue Sunday", which I felt was a rather sappy ballad. "Indian Summer" was an outtake from their debut and you can easily tell it's definitely an older song. It never made it on their debut, to be honest, I can see why: this song was never exactly a winner for me. It strangely has a similar structure to "The End", but MUCH shorter, and instead a love song instead of something much more disturbing. "Maggie McGill" is a nice bluesy number. So on this album there are only three songs I don't care for, the overrated "Roadhouse Blues", "Blue Sunday", and "Indian Summer", the rest is rather good, but as a "proto-prog" album it falls flat. But the blues-oriented material is something they'd explore even further on their next (and final album with Jim Morrison) L.A. Woman. Still worthy of a four star rating because of the musical quality overall, not how "prog" or "not prog" it is.

By the way, the front cover came from a real hotel in Los Angeles called Morrison Hotel, with absolutely no connections to Jim Morrison, and on the back a Los Angeles bar called The Hard Rock Cafe, which has absolutely nothing to do with the tacky chain we all know and love (or hate). The chain we know came from some Doors fans who gave them permission to use "Hard Rock Cafe" as the name of their joint, probably by that time, the original LA joint with that name was out of business.

 Other Voices / Full Circle by DOORS, THE album cover Boxset/Compilation, 2015
3.86 | 2 ratings

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Other Voices / Full Circle
The Doors Proto-Prog

Review by Guillermo
Prog Reviewer

4 stars After a lot of years of being out of print in the U.S (since the mid-seventies), and apart from being available for some years only in Germany in the LP and cassette formats in the eighties-nineties, "Other Voices"(1971) and "Full Circle"(1972), the two albums that the remaining members of THE DOORS recorded after JIM MORRISON died, finally were re-issued worldwide in 2015. Both albums were re-issued as individual LPs (with their original cover designs, and with the cover design of "Full Circle" also including again the zoetrope which was only included in the first edition of the LP), and also in this 2 CD set which includes both albums plus a track called "Treetrunk" as a bonus track which originally was released as the B-Side of the "Get Up and Dance" single in the U.K. All this happened in September 4, 2015.

As I have both albums in the LP format, I didn't buy them again in the LP format. Instead, I waited to see the 2 CD set in the record shops of my city to buy it. It really took several weeks to this to happen, because the LPs were imported to be sold in the first place, taking advantage of the "new fad" to release some old albums and new albums of a lot of bands in the LP format, and also maybe to give to the old fans of the band the chance to buy them first with the original cover designs at more individual expensive prices than the 2 CD set, and later to also give to them the chance to buy them in this 2 CD set, if they wanted to do it. A marketing plan, I think. I knew that the 2 CD set was going to be released simultaneously because I follow the band's official page in Facebook. Anyway, the band announced there the release of the LPs first. It wasn't until me and other persons asked them the same day if they also were going to release the 2 CD set. So, their answer had to be "yes", too.

So, I bought the 2 CD set. I really expected a better packaging, because the cover design for this 2 CD set only has the front covers of both albums as "miniatures" in the front cover of the booklet, and nothing more. But the booklet has very good liner notes written by David Fricke (a writer from the "Rolling Stone" magazine) which are very long and informative about the recording of both albums, with quotes from John Densmore, Robbie Krieger, the late Ray Manzarek, the former Elektra Records boss Jac Holzman and others. The rest of the booklet gives information about the titles of the songs from both albums, but not detailed notes (track by track, as in the LPs original covers) about the guest musicians who played and recorded with the band in these albums. Anyway, at last the booklet gives detailed information about who really wrote the songs for "Other Voices", a thing which only happened in the first edition of the LP which had an inner sleeve with the lyrics, and this also happened in the labels of the LP of that first edition. In the original gatefold cover of the LP all the songs were credited to the three members (Krieger, Densmore, Manzarek) and this also happened in later editions of the LP, with the songs being also credited to the three members in the labels of the LP in later editions.

So, I think that the simultaneous release of the individual LPs and the 2 CD set had a marketing plan: "you can have both albums with their original cover designs in the LP format, but if you want, you can also have them on a 2 CD set, but without the original cover designs, but with very long and informative liner notes and better sound... plus a bonus track". I think that some old fans really wanted to have the albums in both formats, so they bought them.

Now, about the sound of the 2 CD set: both albums were remastered for the first time for CD releases by Bruce Botnick, who worked with the band as recording engineer for most of their albums (and also as co- producer with the band for their "L.A. Woman" and "Other Voices" albums). He really did a very good job. I previously had the chance to listen to a bootleg version of both albums on one CD which was released in Russia in 1999. I think that the sources of both albums for that one CD version were LP copies, so the sound was not very good and also the channels were inverted in comparison to the original LPs. With this official 2 CD set one finally has the chance to listen to very clear sound from both albums , and also to an official CD release of the previously very rare song called "Treetrunk", a song which previously one only could listen to from very used singles copies in youtube. I think that the band really wasted a lot of time to release both albums officially on CD because there also were other bootleg CD versions available which some old fans obviously bought. Now, all these bootleg versions are really of not importance anymore. It really took to the band a lot of years to finally release them on CD, and this even happened after Ray Manzarek's death in 2013.It seems that even the members of the band underrated both albums all this time. But I really like both albums, as I wrote in my individual reviews for both LPs here in Prog Archives some years ago. (You can read them if you want: "Other Voices" is in www.progarchives.com/Review.asp?id=105657, and "Full Circle"is in www.progarchives.com/Review.asp?id=105670 . My review for the "Get Up and Dance"/ "Treetrunk" single is in www.progarchives.com/Review.asp?id=244744 ).

Thanks to erik neuteboom for the artist addition. and to Quinino for the last updates

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